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When you write dialogue you are
obeying two masters. You are
fulfilling the need to convey
information and you are also giving
clues into the nature of the character
speaking. The dialogue must not only
move the story along, it must also tell
us about the character speaking. Is he
a sand hog or a rock star or a card
shark? Is he angry or happy or
depressed? Is he in a hurry or tired or
nervous? Is he shifty or forthright or
unsure? 38
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